Animation Archives - Page 25 of 37

Does Sony’s investment in Epic Games shape the future of next-gen console success?

The UE5 tech demo that I spoke about in last month’s blog has set the internet on fire. With the demo launching on PS5, Sony managed to secure something of a major coup for their new console which finally launches this autumn alongside the new XBOX console. Sony’s subsequent investment of $250m USD to secure a minority stake in Epic Games, developer of Unreal, which powers so many of the games industry’s biggest titles, has certainly raised eyebrows. So, what does this mean for other consoles, specifically the that will fight for dominance in the coming months and years?

Tim Sweeney, CEO of Unreal has seemingly scotched any suggestion that the deal might somehow favour the PS5 and disadvantage to Microsoft’s hopes for its own new console XBOX Series X. ‘There’s no secret deal’ Tim Sweeney tweeted last week, further stating that ‘Serious investment discussions followed from the Unreal Engine 5 demo we showed on PlayStation 5. I guess they liked it!’.

SONY’S MINORITY STAKE IN EPIC GAMES

Any notion that this represents some kind of ‘golden handcuffs’ deal that might tie Unreal exclusively to the future of PS5 should be viewed with some scepticism. Such a strategy would be foolish for Epic who have much broader ambitions outside of the games Industry. Indeed, Epic have already confirmed that the deal will still allow them to publish to other platforms. In the grand scheme of things, Sony’s investment gives them only a relatively small minority stake compared to other investments the developer has received from games developers in recent years. Although an enormous sum of money, $250m USD currently represents only a 1.4% stake in Epic Games. By comparison, Tencent still retain a 40% stake in the developer following an investment that it made in 2012, which it acquired at the time for ‘only’ $330m USD. With Epic now valued at a whopping $17.86 billion USD, Tencent’s investment has proved to be an extremely savvy one that not only underpins the value of Epic’s Unreal engine to the games industry but hints at the Unreal’s broader potential to other sectors.

EPIC’S RISING STOCK

The rise in Epic’s stock value is a reflection of their growing ambitions (and success) for Unreal’s application outside of the games industry. With Sony’s own portfolio of entertainment assets extending to Music, Film and TV it makes perfect sense for Sony to make this investment now. As Tim Sweeney mentioned when the announcement was made “Sony and Epic have both built businesses at the intersection of creativity and technology, and we share a vision of real-time 3D social experiences leading to a convergence of gaming, film, and music.

It’s the last sentence that is most interesting. Historically, console developers have always been fiercely protective of their tech, taking a ‘walled garden’ approach to their platforms, usually resisting any form of cross-play compatibility with other hardware. Epic’s own success with the juggernaut that is ‘Fortnite’ has enabled it to push for its belief in more open platforms, paving the way for cross-play functionality between competing consoles. Indeed, Fortnite was one of the first games to allow players on a PS4 to compete with their friends experiencing the same game on an XBOX One. With 350 million registered players and still one of the biggest games on the planet nearly three years after its launch, Fortnite’s success has given Epic a huge say in how games should be played in the future. Thanks to this, other games including ‘Dauntless’, ‘Paladins’ and ‘Smite’ can also now be played as cross-platform experiences.

Sony’s investment in Epic shouldn’t be viewed as anything that will give them an immediate advantage in the upcoming ‘console wars’ that the launch of the next-gen consoles will inevitably bring. Epic’s push for cross-play should be viewed as evidence of this. Technologically agnostic, Unreal continues to be at the centre of many leading XBOX exclusive games including ‘Sea of Thieves’, ‘Everwild’ and other forthcoming games that the REALTIME team have used the games engine to create Cinematics and VFX for.

UNREAL’S LONG TERM PLANS

Instead, the investment should be viewed as a mark of the level of confidence that Sony has in shaping the future of entertainment outside the remit of games alone. With Fortnite recently hosting a ‘virtual concert’ by travis Scott that reached 27 million viewers, it’s easy to see how such an experience might positively impact its music business. Similarly, with Unreal being used more and more as a VFX tool for Film & TV, this will also be of huge interest to their Sony Pictures division. And this is just the tip of the iceberg. Asides from its ground breaking graphical capability, the tech could be used as the building blocks for a metaverse, Tim Sweeney’s dream for a shared digital space where we ‘live, work and play’ that may well turn Sweeney into a real-life James Halliday, the creator of the OASIS in Ernest Cline’s ‘Ready Player One’.

Sony’s investment probably won’t shape the outcome of who will likely succeed in the next generation of consoles, but it might well be an indication of new experiences to come.

REALTIME have experience in working with the Unreal Engine in all areas of our studio including TV VFX and Automotive. So, if you’re looking for an experienced partner who specialises in creative solutions give me a shout on [email protected]

How video game technology is breaking into other industries

Video games are one of the most-loved pastimes. To get an idea of just how popular it is, look no further than the PS5’s reveal which has – as of writing – garnered more than 23 million views on YouTube. It’s fair to say everyone’s a bit excited.

But for some, the most exciting aspect of gaming isn’t the new releases or the shiny new hardware. Its uses extend far beyond that. There are people out there who use gaming technology without even touching a video game. For them, it has revolutionised the way they work, learn, or even interact with the world.

Gaming has given us a lot of great moments but we’re here today to talk about the alternative uses you might not know about. Here are three gaming innovations that have found a place outside of our living rooms.

Engines

Epic Games has long touted its popular Unreal Engine as a resource for use outside of gaming. That will no doubt still be the case with its recently revealed fifth iteration. And plenty of people have taken them up on that offer.

It’s popular in industries where you need to render a 3D model for one reason or another. The automotive industry will use it to create hyper-realistic recreations of their cars for a configurator. Or the TV and film industry might use it to create pre-vis assets to give the production team an idea of how the finished product might look.

One drug development company has even used it to develop medicines. It came from a need to make the initial discovery and development stage simpler. It’s reasons like this why Epic created their “Enterprise” team, whose job it is to bring the technology to new mediums. Who knows, maybe it’ll play an integral role in creating the next groundbreaking medicine.

Motion controls

Opinions on motion controls will vary depending on who you ask. There’s a tendency to view it as “gimmicky” or a “flash in the pan”. And maybe that’s the case; Kinect is hardly in everyone’s living rooms, as Microsoft hoped it might be. But it has found a home elsewhere.

When Microsoft released the SDK for the peripheral, it opened the door for many other industries who could make use of its frankly amazing motion-tracking technology. Here’s a video of it being used to interpret sign language, which could break down barriers in communication.

There were even stories of it being used in surgery. Beyond that, it could be used for mixed reality purposes, such as digitally trying on clothes at a store, capturing high-quality 3D scans, or even in stroke recovery.

Virtual reality

VR is slowly gathering pace in the video game world, with games like Valve’s Half-Life: Alyx pushing it further into the mainstream. But such a strong piece of tech was always bound to find a home outside of video games.

In healthcare, it’s become a useful tool for training surgeons, with some using it to hone their skills for complicated procedures, such as brain surgery. You also have the military using it to train soldiers. And you can see museums adopting the technology to deliver a more immersive, educational experience.

Back to the automotive industry, where Toyota is using VR to teach people about the dangers of distracted driving. It could also be used during car production to let people look inside the car in great detail (thanks to a high-quality render) even when they aren’t at the manufacturing facility.

And more!

This one is a throwback; remember when the US Air Force made the 33rd largest supercomputer using PS3s? 1,760 of them, to be precise. Not only was it big, but it was fast, too. At the time, it was actually the fastest interactive computer in the entire US Defense Department.

But we’re still seeing more and more examples of how we can use games for good to this day. CCP Games have even integrated scientific research into their massively popular game EVE Online. As part of what they call “Project Discovery” players can take part in a minigame that can help scientists fight COVID-19. By marking groups of cell populations present in blood, they can help scientists understand how different cell populations are altered through infection.

And this list is far from exhaustive! There are hundreds of other uses for video game tech I wish we could talk about but no one wants to read me go on for 10,000 words. It’s great to see video games have an influence on even more lives and show how it can be a force for greater good. With the impending release of new consoles and technology, we can’t wait to see what it’s used for next.

At REALTIME, we’re always looking for ways to improve what we do, across all aspects of our operations not only the video game trailers. We live and breathe this technology and if you need an experienced body for your next project, our team is the perfect pick. Get in touch with me at [email protected].

Unreal – No longer just a game

When REALTIME was founded in 1996, its choice of name was a nod to the optimism of a far distant future where high-quality animation and VFX could be achieved in real-time. A premise that, at the time, was regarded as being the holy grail of the VFX industry. Unimpeded by extensive rendering times, the most demanding visuals would be realised at a silky-smooth framerate right in front of the artist’s eyes. Thanks to ever evolving technology and the Games Industry’s pursuit for visual excellence, this dream continued to take iterative steps towards its goal. Sometimes, with the release of each new generation of hardware, it would often be entire leaps forward. Even so, the quality never quite reached the same level as that of the biggest Hollywood movie blockbusters. High framerates always came at the expense of the final level of visual fidelity and therefore not a production pipeline that could be used to achieve the very highest levels of quality – something that REALTIME subsequently founded its reputation on.

Recently Unreal has thrust themselves in to the limelight, demonstrating that the newest iteration of their engine might make our optimistic hopes, a reality, very soon.

Initially created by Epic games to power its 1998 first-person shooter game ‘Unreal’, the Unreal engine quickly became adopted by many other games developers who wanted to take advantage of the engine’s superior graphical capability. Fast forward to 2020 and the engine’s capability has grown exponentially, allowing its users to create experiences and productions for TV and Film that extend far beyond Video Games alone. Whilst UE4 has found its place in Film and TV, it’s fair to say that by-and-large, its use in largescale productions has somewhat been limited to a pre-vis tool. It has become an invaluable tool for Directors and storytellers to see how successfully their story works at a very early stage of production and hopefully avoid the need for expensive re-shoots. However, that was pretty much where the story ended for UE4; despite its graphical capabilities pushing the boundaries of what could be achieved in games, its final output paled in comparison to that of Film and TV. Whereas UE4 could offer the flexibility of a real-time rendering solution, its final visual output could not compete with the demands that Film and TV required.

Ahead of the launch of the Playstation 5 console, all of that looks set to change. As is the norm, the main competitors are keen to showcase the power of their machines in an attempt to seduce gamers to their platform and ecosystem. The launch of the Playstation 5 and XBOX Series X in Q4 2020 is already seeing this battle take place online, with exclusive events designed to win over the hearts, minds and wallets of the next generation of gamers. This year, Sony has landed something of a coup by using their console as the first to showcase UE5 – the latest iteration of Unreal, the video games engine that has powered generations of some of the industry’s biggest games. It’s a clever move that has shown the PS5 as a powerhouse console – one that looks set to finally deliver the same level of visuals as the most ambitious Hollywood blockbuster movies, and all at a dizzying high frame rate. Marrying photo-real quality with the flexibility of real-time rendering, the latest iteration of the Unreal engine is a real game changer, (excuse the pun).

Whilst this is obviously a major boost to Playstation 5, it is worth noting that the new version of Unreal obviously won’t be exclusive to that console, with new projects already confirmed for XBOX.

UE5 boasts both an impressive lighting system that can handle even the most demanding assets with apparent ease. Whereas games engines are typically reliant on geometry assets being fairly well optimised to allow then to be rendered successfully at a high frame rate, UE5 is using its own developed ‘nanite’ technology allowing for the successful ingestion of high poly assets into the engine without the need to optimise them first. In addition to assets used directly from Z-Brush, the demo shows cinematic quality Megascan assets, that would typically be used in a pre-rendered solution, being drawn in real-time. Each multimillion-polygon asset is seen rendering in real-time using 8K textures. Epic boasts that the engine can handle an ‘insane’ amount of triangles per frame citing that each frame of the demo is crunching down a billion triangles to 20 million drawn triangles, evidently with no need for LODing or compromise to the final visual quality. Fitting that many triangles into screen means that each one looks like the size of a pixel; evidence as to how much detail the engine can show. So much detail demands pixel perfect shadows; something that the demo evidently shows that UE5 is capable of delivering too. The engine’s lighting solution, Lumen, offers dynamic multi-bounce global illumination without the need for baking of lightmaps. In short, it all adds up to the holy grail of VFX – real-time movie quality levels of visual fidelity without the need for extensive rendering time. Well, at least for environments anyway.

The recent Disney production of its hit TV series ‘The Mandalorian’ used Unreal technology, combined with state-of-the-art LED screens to provide an alternative to traditional Green screen techniques. Whereas green screen can lead to green lighting ‘spill’ to be cast onto its subject, the combination of Unreal and a LED screen setup to create a ‘Virtual Studio’ has multiple benefits. Firstly, it enables it’s subjects to be filmed in more realistic lighting setting; the projections of the virtual set are reflected more accurately onto its subject matter, embedding the real-world subject matter into a virtual environment (rendered using Unreal) with pixel-perfect accuracy. Secondly, it gives the production team an unparalleled level of freedom in being able to compose their shots; effortlessly changing the viewpoint and lighting conditions of their world, generated in real-time using Unreal, with the click of a mouse. All of this in real-time without the need to wait to see the final output.

It is a huge irony that the games industry, which has always been viewed as the poor relation to film and TV, is now playing a pivotal role in the reinvention of its production pipeline. Film makers and storytellers are using the many benefits of Unreal to speed up the process and quality of their productions. In the future, I’m confident that UE5 will continue to make further in-roads to Film and TV, challenging incumbent production pipelines that have been in place for decades. In doing so, it will further blur the lines between games and movies; making games more accessible and appealing to audiences that might otherwise be dismissive. It’s a reciprocal relationship that offers a win-win for both Movies and Games. For REALTIME, the adoption of Unreal technology to create Film and TV quality VFX is not only an inevitability, but an imminent reality that our clients can benefit. As well as enabling our team to create projects that might otherwise be too unwieldly to produce using a more ‘traditional’ pre-rendered pipeline, Unreal’s toolsets are finally allowing REALTIME to grow into its name.

UE5 is literally a game changer (excuse the pun, again) and REALTIME can’t wait to share the future with you.

Pride Month: Our favourite games with LGBTQIA+ representation

Pride Month is here! It’s a time for the LGBTQIA+ community to celebrate. But it’s also a time for reflection: reflection of how far the community has come and how far it still has to go. Never forget that it was inspired by the Stonewall riots of 1969 when many fought against the oppression LGBTQIA+ people faced. That fight is, unfortunately, still not over.

But society is moving forward and representation is at its highest levels. TV shows, films, books, and video games are all mediums where LGBTQIA+ characters can shine. Strong creative voices push the community into the light to let people know they aren’t going anywhere. In the video games industry, in particular, thanks to the efforts of LGBTQIA+ members and allies alike, queer stories are being told.

So let’s celebrate the rich diversity we have and the bright future it represents. Here is a list of our favourite games with LGBTQIA+ characters and stories, and let me tell you, it wasn’t easy whittling it down. There are so many fantastic examples that narrowing it to just a few was nearly impossible! But here we go…

The Dragon Age and Mass Effect series

Okay, it’s the first entry and I’m already cheating. But these two series – in fact, anything made by BioWare – have had queer motifs since the start. In both, the player character has multiple romantic interests they can pursue, both male and female, and open to male or female player characters.

Dragon Age always had the option available and Mass Effect added male-male romantic interactions in the third entry. Both series portrayed queer relationships as completely normal, creating worlds where the notion of queer identity was a given. Even as far back as Jade Empire, BioWare has been putting gay relationships on the map.

Krem from Dragon Age: Inquisition is also said to be one of gaming’s first transgender male characters.

Grand Theft Auto

Grand Theft Auto is never one for subtlety, but the character of Gay Tony is one of their most nuanced characters to date. As the deuteragonist of GTAIV: The Ballad of Gay Tony, you see a lot of depth to Tony beyond his sexuality. You see his highs, his lows, and his rock bottoms. He’s a shady nightclub owner and as much of a criminal as you can expect from Grand Theft Auto. He also just happens to be gay.

It’s refreshing to see an early example where a character is defined by something other than their sexuality. Yes, he’s called “Gay Tony”, but the game goes to lengths to show you who, what, and why Tony is beyond that moniker.

Assassin’s Creed

Assassin’s Creed has always embraced queer characters, even as far back as the first entry. But with the latest entry, Assassin’s Creed Odyssey, developer Ubisoft has given the player agency to pursue it themselves.

You can play as either of the siblings Alexios or Kassandra and can, through the course of the game, pursue opposite-sex or same-sex relationships. It’s something Ubisoft has stressed will carry on in the next game in the series, Valhalla. Having this option is a great way to validate sexual orientations of all kinds and provide an inclusive platform where people can be who they are, which puts it above games that aren’t interested in exploring that option.

The Life is Strange series

Life is Strange is an example where the characters’ queer identity plays more of a role in the story. As an open-ended, choose-your-own-path episodic game, it was up to you to follow that storyline, but the main character of the first game, Max, is bisexual. The protagonist of the follow-up, Chloe, is a lesbian.

This continued with the sequel, as it explored more queer relationships and identities. It hit a chord with many as its younger cast gave teenage fans a space to explore and think about their own identity. People also liked its human, ‘real’ approach to the topic of whirlwind teenage romances.

Gone Home

I won’t spoil this one as the main crux of the story is a mystery that needs solving. You play Katie, a young woman who returns home to find the house abandoned. As you wander around the house, you piece together what happened.

Before I go into it more, beware spoilers. If you want to experience the game for yourself (which I recommend), don’t read on. In Gone Home, you explore your home and unravel the mystery of your missing sister, Samantha. It turns out she had started a relationship with a female friend from school and their parents were less than accepting. In the end, you discover Samantha has run away to be with her partner.

It’s a hugely affecting story and speaks to the pain so many LGBTQIA+ members go through. It’s a message of self-acceptance but isn’t without its bitter-sweet note. The game was applauded for its approach to LGBTQIA+ issues and was an example of a game remaining compelling even when all you were doing was rooting around in the kitchen cupboards.

The Last of Us

While the first game merely hinted at it, the prologue DLC Left Behind confirmed Ellie is queer. And now in the second entry in the series, The Last of Us Part II, Ellie is the main character and the story involves her romantic relationship with partner Dina.

The trailer from E3 2018 even showed us an intimate moment between the two of them, a huge leap for queer representation. Stories like this normalise queer nature because it is just that – normal. The game hasn’t been released yet, so we don’t necessarily know where the story goes, but it has given LGBTQIA+ people another strong character they can get behind. It pushes forward the goals of the community as we seek greater representation.

And the rest!

If only I could go on about every game with LGBTQIA+ characters and motifs. These last few years have seen an explosion of representation and that doesn’t look like it’ll stop anytime soon.

We could have mentioned Fable, which has the BioWare school of ‘be-who-you-want’ representation. Or Stardew Valley which gives you a bevvy of eligible bachelors and bachelorettes you can explore and marry. Other indie games like Dream Daddy or Night in the Woods. And The Sims! Riot has also added a variety of pride flags to League of Legends, so many people can proudly display the flag they most associate with.

All of these are examples of games that have done so much for queer representation. They are the trailblazers. They have given us worlds where we can find people just like us. Where queer people can feel a sense of belonging. To some, they might just be video games but, to others, they are a lifeline. They are home. What matters most is developers keep fighting to include that representation. Not every “letter” in the community has a character they can look to and feel pride in, which is why we must carry on with this representation. The more games – AAA, indie, or in between – that stand by the community, the closer we can get to true acceptance.

At REALTIME, we’re flying the pride flag with, well, pride! To all our LGBTQIA+ members of staff, clients, and readers, we’re with you for this month and every month to come.

Why the cloud could be the future of gaming

2020 will see the highly anticipated arrival of the next generation of video game consoles. Game enthusiasts across the globe are waiting with bated breath for the next sliver of information from the likes of Microsoft and Sony. This autumn we will see what the future of gaming holds. Or so we think.

In truth, many are anticipating the future of gaming to come from less likely suspects. As I said in a previous blog, quoti,.7ng Google, “the future of gaming is not a box; it’s a place”. The battlefield for the next generation of the console war will be in the cloud. And Google won’t be the only newcomer.

Amazon, Apple, and Facebook have all already heavily invested in gaming and 2020 might be the year they unveil their efforts.

Head in the clouds

The cloud isn’t new, both as a concept within gaming and in a wider sense. But its usage in gaming is about to see a significant increase from familiar faces in the industry and new ones from outside it. We’ve already mentioned Google who launched its Stadia service towards the end of 2019. Despite its rocky start, Google still seems committed to growing its library of games and the number of devices which can take advantage of it. And no doubt Microsoft’s xCloud will be a cornerstone of its next-generation plans along with its console the Xbox Series X.

But they won’t be the only competitors on the field. Amazon is already knee-deep in the world of games, now owning massively popular game streaming service Twitch. They are also working on a number of their own games and their website sums up their intentions: Amazon is all in on games.

What will prove to be a huge boon for them are their already established AWS servers. Many games already use these as the backbone of their own online servers, so it stands to reason Amazon will want to further the gains on their own cloud server investment. This strong foundation could even put them above Google; the strength of their servers might eclipse Google and solve the latency issues many report with Stadia. But as average internet speeds increase across the world, could their rivalry become the new Sony vs Microsoft?

A new challenger approaches

They won’t be the only ones in the fight though. Both Apple and Facebook have made their gaming intentions clear. In fact, all of the above companies draw in a significant amount of revenue through gaming. Apple’s comes from the App Store, with them taking 30 cents for every dollar. But now they have added Apple Arcade to their repertoire; a subscription service that offers cross-device compatibility akin to Stadia.

For just £4.99 a month, you can access a library of over 100 games made for mobile devices. While Apple aren’t yet looking to replace your home console like Google is, they are carving a niche for themselves which could serve as a jumping-off point in the future. Their service eliminates advertisements and shady microtransactions that plague other App Store games. They have created a wholesome closed environment which is – so far – one of a kind.

Then there’s Facebook, who acquired Oculus VR. They already had a storied history with gaming; for many, it was the gaming platform of choice if you had a penchant for virtual farming. But the purchase of Oculus signalled a serious move into the gaming world, with Facebook founder Mark Zuckerberg setting the lofty goal of putting a billion headset in gamers’ hands.

The war to come

Google. Amazon. Apple. Facebook. Currently, these four companies stand as some of the biggest in the world. If they wanted, they could accumulate the money to dominate the market. In their own way, each has already invested in new technology and gaming studios to bring something exclusive to each of their services.

And each is backing something slightly different. Will the future of gaming be entirely in the cloud? Will a subscription service become the new norm? Or will VR finally reach the mass market? No doubt the solution will be a mix of everything, but the involvement of these companies will only serve to diversify the market and bring about newer, greater innovations for gamers across the globe.

People are ramping up for the PS5 and Xbox Series X, but these four companies are lurking in the shadows and may be about to bring about the true future of gaming.

At REALTIME, we’re ready for whatever the future holds. We know that no matter what, your games will always need first-class trailers that set the world on fire. If you want to talk about your upcoming project, get in touch with me at [email protected].